We are going to the beach. I don’t care if the tide is low or high, or whether I feel like going tomorrow or not. I am washing clothes and packing our possibles, because I need to breathe cool, salty air and drive home with nappy hair and sandy toes.

We were sitting in the Santa Cruz Diner. The neighborhood began to pop fireworks and fizzers into the purple dusk. We were about to pay the bill and drive through boardwalk traffic to a fireworks show that didn’t really exist. We discovered that the best seats in Santa Cruz might have been on the beach, choking on camp smoke and trying to keep Chas out of the fire. Therefore the car, as it turned out, was the best seat. It was simply one of those fourths that we decided not to plan. In other words, it was a time for us to be lame.
The day itself was much more gratifying: an afternoon spent on a warm secluded beach about a half hour north of Santa Cruz.

Above my expectations, the MOMA trip was something I can’t believe we didn’t try sooner. But our mental armor was strong that day. We pared the visit down to a Braque and that huge dog painting in the second floor foyer (hell if I remember; I was too busy trying to convince Chas that, even though the paint looked like dabs of toothpaste, he indeed could not touch it)…

And then, the Matisse exhibit. For both boys, a treat: nothing but nummies, in all dimensions. Having found our medium, our tether to real life, we were set. All we had to do was circulate smoothly without shouting too many body parts and we’d eventually hit the outdoor mezzanine. It was perfect! Couldn’t have dreamed up a better recess.

After knocking out the ya-ya’s, we had pizza downstairs.

The MOMA heats up a good pint-sized pepperoni pizza and the kids devoured it. We swilled a few pints of beer and then Damon and Dwight (Damon’s brother) took the kids across the street to Yerba Buena Gardens so that I could see the rest of the Matisse exhibit in peace.

I think the kids, mostly Ford, would have appreciated that second half of the exhibit, being a bold departure from the previous body of work. Matisse had begun cutting pieces of paper to rearrange in composition for his larger paintings. And then, down the hall, the “Jazz” series of prints, all laid out on the white table–what have we all come to know better as the work of Matisse?

Still, what’s best for the boys is plenty or room in the schedule for freeform fun. And fortunately, what’s best for them worked out to be best for me, too. Thanks, D 🙂

We’re a little culture starved around here, snug within the benign mycelium of silicon valley. Granted, if I’d just know where to look around here, I’d find something interesting on exhibit. But the truth is that I’m just acheing to go to a fussy art museum where I can feel the music of terrazzo under my feet and experience air conditioning without a trace of retail and ride that fabulous chase from security guard to security guard, close behind Chas, always on the fringe of expulsion as he tries to weave fast arcs around freestanding sculptures. Art is, after all, mostly about the personal experience one has with the piece, and with Chas there is no exception. He loves sculpture, it FASCINATES him to discover giant colorful pillars shooting from the ground or brushed-steel geometry shining in the sun. OH! The joy! Must scream and run circles around them all!

There’s one exhibit in particular that I’m planning on taking them to see sometime soon, the Matisse exhibit at the SFMOMA. Ford is a collage guru and I figure it might provide a springboard for translating some of his 2D work into a new dimension; specifically, creating something 3-dimensional that his younger brother might be tempted to play with (especially if it’s made of paper or papier-mache). But again, really, I’m just sad that we haven’t been able to go for so long, for fear that we might die during the struggle to patiently corral our children politely through a quiet space for art.

I think it’s more important that they experience art from a very young age for several reasons. First, I think it’s fun for them to see how some people have translated emotions or themes into art. Secondly, I like for them to understand the value and purpose behind the art process. Thirdly, I want them to grow to respect the work of others as well as their own art, because the enduring value of art is that it has the power to change the future in many ways: it can alter a person’s perspective, create controversy, quiet a restless mind, you get the idea. Lastly, I want them to evolve quickly within the rigid confines of the art museum institution so that they naturally respect that paticular environment as they would a shrine, an that is mostly because I’d LIKE TO ENJOY THE MUSEUM, TOO.

So, this weekend I’ve requested we pay the MOMA a visit, take our chances, hope for the best. There’s a book I heard about that recommends certain tips for taking 5 year-olds and older children to the museum, How to talk to children about art: is the title. As an art teacher, I feel qualified enough to come up with my own suggestions (which, in all it’s conceit, is actually true) but I’m still curious about what it has to say and am ordering it anyway.

Wish us luck! Double that for the MOMA.

It rained last night, throughout the night and into the morning, until the sun poked through the snivelling stratus and proclaimed that it was no longer a time of grieving. So the rain packed up and moved eastward, I’m told. And in its wake, the starlings came back out of hiding among the ivy boughs, and the quail promenaded atop the dewy lawn, properly.

For the past three weeks we have had occasional rains, and each time the pitter pattering begins above our heads on this old roof, we tell ourselves, “This is the last rain of the season.” That was the last rain of the season.

Speaking of proper, this is a blog where I am obliged to to log a chronicle of events, and I missed the holy weekend of Easter. I’ve been called on this, so let me indulge you people on what you missed, heretofore two weeks.

Alis threw Seth an Easter rager. Thirty-odd toddlers turned every stone and log looking for eggs and chocolate on the Whitman commons that straddle Skyline ridge. She spent the week beforehand sewing fleece easter bunnies and dying eggs in pots of boiled beets and onionskins and cabbageleaves. On other nights, she wrapped heirloom seeds in tulle and tied them to colorful tongue depressors, and when she was busy wrapping little pots of violas and wheatgrass with tissue paper and hand-painted yarn, she enlisted friends to string wooden beaded bracelets into the wee hours or, as in my case, stand in her kitchen, slackjawed and dumbfounded, to gawk at all the hard work she really put into this fete while she dyed yet more gorgeous eggs.

Which is all to say that my boys cared neither here nor there about any of this, on that particular day, the day of the hunt, as they poked and prodded through the Lamb’s Ears and Lilies until they found all forms of chocolate, but that we girls, and by that I mean me( because I was trying not to notice my younger competition) secretly dashed through the garden like a pixie, collecting shiny glass beads and seed packets, purple-and-orange violas and wheatgrass pots, slipping them inconspicuously into Chas’ easter basket while he gorged on his gold, his precious chocolate. Occasionally I’d urge him to pick up a seed packet that I’d found, and he’d probe the entire area first for chocolate, certain that I had scouted for nothing other, and finally reach for the only thing hidden in the foliage, which was indeed the seed packet and which he indeed picked up. For me!

And so, with seeds to plant, I’m faced by the bare patches of three quarterempty flowerbeds, spared just for such purpose, and the blank face of a front and back yard, freshly plowed by a thirty year-old and rusting tractor with a likewise rusted and ringing plow, just days ago before the rain fell. I see mounds upon which to plant two to three ppumpkins seeds apiece. Give or take a melon.

I have tenacious, hard callouses on my hands from three weekends ago, when we spent the rest of Easter weekend in Pebble Beach, playing drunk barefoot tennis doubles into the black of night. I’m not sure how I didn’t bleed through my feet by bedfall, on those heavy, luxurious sheets; on the contrary, my feet tingled as if they’d been freshly shorn of three old inches of thick hide. Perhaps they were?. Indeed, the rest of me felt that idyllic; it’s fun having rich friends with third homes nestled in the surreal beauty of California’s monterrey bay peninsula. We drove home along the coastal highway bisecting the prim acres of golfing lawn and the rugged, emerald blue jumble of ocean and guano-stained rock and the white froth of my amazement. Acres upon acres of blooming artichoke and fruiting strawberries, laborers scattered along the endless rows that stretched inland, hunched over the produce like props. Surreal produce signs with enormous specimens that seemed to shine from the light of the sun itself, which glared down sternly upon us as we shook off the two day hangover that only an irresponsible weekend in someone else’s mansion in someone else’s neighborhood could bring.

With little difference to the stiff neck I felt yesterday morning, I drove the kids down to the beach. All the elation that nearly winded me on the drive down to Half Moon Bay fizzled once I started lifting Chas out of deep tide pools and stretching to capture fossils embedded in the rocks. I remember the swirling panorama of beached seals and hungry surf, thinking, This is a very bad place to be with a stiff neck and two exploring preschoolers.

So I let both of the kids clamber their way back to the beach on their own (Chas is getting surprisingly nimble) and then rested in the tent while they bouldered and threw rocks at the incoming tide. This overexposed shot is taken from my little infirmary. I like the way it captures the heat, unforgiving light and pain (although I might be the only one to look at this picture and feel it). It also has a nice retro tint. What’s your impression? I’m obliged to use these flickr tools for SPC’s current challenge but I’m not sure I’d use these tools in my own. It lacks authenticity. Not sure I like that, although it has a home somewhere.

My advice to anyone waking up in the morning with a stiff neck is to traction yourself to a board for the rest of the day and hook yourself up to an IV and catheter. Don’t drive a long, winding road to the beach, set up a tent, wrangle children across the rocks at low tide and then press reverse. That was a recipe for disaster. Damon says it wouldn’t matter; that the muscle would spaz no matter what.
I wonder if he’s right.

If you want to learn more about online photoediting tools , check out a gallery exhibiting some at SPC.

It rained a lot last week, sheets and sheets of rain. But this morning, glorious sunshine. On top of Maisie’s Peak, out of breath after a week off and with an arm stretching towards San Francisco, downtown was as tall as a cuticle, my fingernail on the horizon. But I could see it! Amazing early spring air, damp with pungent Bay Laurel and lichen and moss.

Jerry met us at breakfast and decided that a post-rain Saturday was prime for mushroom hunting, so we drove up the hill to an alpine lake along skyline Ridge, ditched the canoe (whim #2) and went off the beaten path with the kidlets.

Chas surprised me with his reaction to a Banana slug. He was pretty offended, wouldn’t touch it at first. This blew me away; I think these things are the coolest molluscs around, like a cold slice of mango looking back at you.

We found a rough-skinned newt, too, that was hard to photograph in the deep shade of a thick, ancient redwook .It crept with fat, orange and humanlike fingers across our hands, drunkenlike yet determined to get back into the detritus. So I returned him to the ground before we exhausted the little guy, and he indeed honed immediately into a random opening in the lattice of wet pine and laurel litter.

We bypassed fallen trees, macerated by rain and time and recently, bear paws. Fresh fiddleleafs, little forest babies, unfurling and mushrooms everywhere. Fruiting above a mycelium beneath an oak tree, wrinkled black Elephant correction: “Elfin” saddles. Little brown mushrooms, maroon unbrellas, fluorescent capes and fans of turkey feathers. Matte black puffs, like ashballs, and salmon candylike clusters on rotting bark. In the split of a tree, neon orange jelly fungus.

Ford is rediscovering the coast and he asks to go back, time and again, to Santa Cruz. However, I’ve blissfully started introducing him to different shoreline habitats and today I figured was the perfect time to indulge myself, and the kids, in a low tide experience along the rocky surf at Moss Beach. I’d actually never been before. As it turns out, the park is a refuge for the Harbor Seal, who swims between this beach and the harbor, in lower Moss Beach; and, during low tides, this is the safest refuge for them to rest, atop the black rock that crops up through the crest of low tide. In fact, the rangers set up construction cones around the rim of the beach to give the seals privacy. Otherwise, they might flee the beach and swim to exhaustion, unable to find the refuge they need anywhere else along this shoreline.
We had just reached the beach, at the end of a short trail, when the camera battery died.

Ford was so anxious to recall what we saw today once we returned to the hotel. He quickly synopsed the visit with a drawing of his favorite finds (which deserved better light when I took this photo, but this will have to do):

With a stick, we had turned over an organism in the sand that resembled an enormous, wide cow tongue. On the underside of the orange beast, a flat foot with a central groove, in the shape of a U. On the backside, a row of partially hidden plates under thick hide-like orange flesh. A chiton relative? A grapefruit from outer space? Actually, I was right: Cryptochiton or Gumboot chiton (named after the color and texture of its flesh). Way cool, but also very dead and intensely rank. Next!:

Ford’s favorite of the day: the Green Sea Anemone. He discovered that he could stick his finger into the flowery nubbins and make them close up, squirting water out in a tiny little stream clear up to his nose. Very entertaining, he did this for the longest time until the tide started swallowing us. But not before we investigated Turban snails and rescued a parching Pisaster.